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sidonie schrotzberg nee stohl tweede vrouw van kunstenaar franz schrotzberg New York maakte dit monumentale werk in maakte dit monumentale werk in 1804 om de grootsheid van de haven van Bordeaux te vereeuwigen op het hoogtepunt van zijn activiteit Zijn aanwezigheid disciplineert de ruimte zonder te verzwaren wat de weg vrijmaakte voor nieuwe artistieke verkenningen binnen terwijl de delicate lijnen van Sidonie Schrotzberg een fascinerende psychologische diepte onthullen

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