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rachel 1821 1858 in de rol van phedre frederique emilie auguste oconnell La Haye de materialiteit — om diepe de materialiteit — om diepe empathie op te roepen staat bekend om zijn technische precisie en zijn nauwgezette observatievermogen wat een tastbare dimensie aan de scène toevoegt versterkt de dualiteit van de gevoelens die Phèdre beheersen

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